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We have improved the stability and performance in the following use cases: We resolved an issue with Tube Compressor creating noise when being rendered including the full signal path. We resolved an issue with MixConvert settings not being stored with the project. We resolved an issue in REVerence with locating impulse response files. In case the “Missing Ports” window appears when loading projects, consider to re-map this port to another one. The octave parameter value range in the Pitch section of the Sampler Control is now set to +/-5.ĭue to technical reasons the “Microsoft GS Wavetable Synth” MIDI Port provided by the operating system is no longer listed in the MIDI Port section of the Studio Setup and cannot be selected as MIDI output for tracks anymore. Quick Controls now work as expected on duplicated tracks. Quick Controls now continue to work when plug-ins are loaded by FX Chain preset. We resolved an issue where the Edit menu could not be accessed when “Rename First Selected Track” was added in a macro command.

When starting the application for the first time on macOS systems, the built-in audio device is now selected automatically. Short MIDI parts can be now properly selected after recording.Īudio objects are now still connected to the Renderer for Dolby Atmos after re-assigning their source tracks. Recording over existing MIDI parts in Linear/Replace mode and active Pre-Roll no longer plays the first note event. We resolved an issue where the setup of a Mixer Bank Zone involving multiple MIDI remote devices leading to lost parameter assignments. We have resolved an issue where specific OS language settings could lead to parameter mappings shown as “Missing” in the Mapping Assistant when using the context menu function “Pick for MIDI Remote Mapping” in the plug-in interface.Ĭhanging mappings in the Mapping Assistant now works as expected in the mappings list. The MIDI Remote Surface Editor now supports multiple 14 bit/14 bit NRPN controls with different CC numbers. The MIDI Remote API documentation is now available online via Github.įocus Quick Controls now continue to work for plug-ins which have been moved to another channel. We have added a new MIDI Remote factory script for the HXW Avatar EMK-25 MIDI keyboard. Surround channels are now exported correctly when using Anymix Pro for upmixing for all supported buffer sizes.

We have improved the performance when using “Export Selected Tracks” or “Import Track Archive” in projects containing a large number of hitpoints.Įxported Broadcast Wave files now contain the correct channel description iXML metadata. We improved the latency compensation when exporting audio in projects with external hardware routings. The Antares Auto Tune extension will now open automatically in a separate window instead of the lower zone.

Undo and redo operations are not applied correctly in Melodyne extensions. The reference track is now visible in SynchroArts Revoice when used as an audio extension. We resolved an issue when bouncing tracks with audio extensions on tracks applied. We have improved the following features and functionalities:

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